Der Artikel ist weiterhin als ^^OTHERCONDITION^^ verfügbar.
Der Artikel wird am Ende des Bestellprozesses zum Download zur Verfügung gestellt.

A Grammar of Cinepoiesis

Poetic Cameras of Italian Cinema
 Ebook
Sofort lieferbar | Lieferzeit:3-5 Tage I
ISBN-13:
9781498509855
Einband:
Ebook
Seiten:
222
Autor:
Silvia Carlorosi
Serie:
Cine-Aesthetics: New Directions in Film and Philosophy
eBook Typ:
Adobe Digital Editions
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:

This book explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema.
Cinepoiesis, or cinema of poetry, strikes us as a strange combination, a phrase we initially read as an oxymoron. Poetry is often associated with the abstract and the evocative, while cinema suggests the concrete and the visible. Yet, various visual media use strong and often contradictory images, whose symbolic force and visual impact stimulate the public’s attention. Abstract and emblematic images surround us, and the poetic nature of these images lies in the way they speak beyond their apparent limits and stimulate connections on a subjective level. A prosaic world like the contemporary one, though, no longer seems to hold a place for poetry. We are inundated by the need to tell and to be told, the need to build our lives through narratives. But it is precisely here, in this contemporary landscape, that the cinema of poetry attempts to establish a space for itself, exchanging the productive and industrial apparatus for the poetic stimulus of a sensory experience. A Grammar of Cinepoiesis is a theoretical and practical guide to the cinema of poetry, to its tools and forms. It examines how the language of a “cinema of poetry” works both in its theoretical foundations and in its modes of representation, and how it takes shape in the exemplary practice of Italian authors such as Pier Paolo Pasolini, Michelangelo Antonioni, Federico Fellini, and the more recent Franco Piavoli and Matteo Garrone.
Chapter IMeter and Rhetoric: Leopardi’s Poetry in Federico Fellini’s La voce

della luna


Chapter II“Im-Signs” and Free Indirect Subjective


Pier Paolo Pasolini’s Cinema of Poetry: Accattone and Mamma Roma




Chapter III Color and Focus: Michelangelo Antonioni’s Il Deserto Rosso and Blow Up




Chapter IVSound and Silence: Franco Piavoli’s Il pianeta azzurro and Nostos




Chapter VMovement and Form: Matteo Garrone’s Primo amore and Gomorra




EpilogueThe Visual Power of Images




Appendix IAn Interview with Franco Piavoli




Appendix IIAn Interview with Matteo Garrone

Kunden Rezensionen

Zu diesem Artikel ist noch keine Rezension vorhanden.
Helfen sie anderen Besuchern und verfassen Sie selbst eine Rezension.